Thursday, January 31, 2008

Planet Narnia?

Here's the description for a new book out: Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis.
Over the years, scholars have labored to show that C. S. Lewis's famed Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the nature of Narnia's symbolism has remained a puzzle. Michael Ward has finally solved the mystery. In Planet Narnia, he argues convincingly that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward shows that the Narnia stories were designed to express the characteristics of the seven medieval planets--the Sun, the Moon, Mars, Mercury, Venus, Jupiter and Saturn--planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that the story-line in each book, countless points of ornamental detail, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. For instance, in The Voyage of the "Dawn Treader," the sun is the prevailing planetary spirit: magical water turns things to gold, the solar metal; Aslan is seen flying in a sunbeam; and the sun's rising place is actually identified as the destination of the plot: "the very eastern end of the world." Planet Narnia is a ground-breaking study that will provoke a major reassessment not only of the Chronicles, but of Lewis's whole literary and theological outlook, revealing him to be a much subtler writer and thinker than has previously been recognized.
Sounds kind of goofy at first--until you see that it was published by Oxford University Press and contains the following, glowing blurbs:
"I cannot contain my admiration. No other book on Lewis has ever shown such comprehensive knowledge of his works and such depth of insight. This will make Michael Ward's name." --Walter Hooper, Literary Adviser to the Estate of C.S. Lewis

"Noting Michael Ward's claim that he has discovered "the secret imaginative key" to the Narnia books, the sensible reader responds by erecting a castle of scepticism. My own castle was gradually but utterly demolished as I read this thoughtful, scholarly, and vividly-written book. If Ward is wrong, his wrongness is cogent: it illuminates and delights. But I don't think he is wrong. And in revealing the role of the planets in the Chronicles, Ward also gives us the fullest understanding yet of just how deeply Lewis in his own fiction drew upon those medieval and renaissance writers he so loved." --Alan Jacobs, Professor of English, Wheaton College and author of The Narnian: The Life and Imagination of C.S. Lewis

"Michael Ward presents an absorbing, learned analysis of C.S. Lewis's bestselling and beloved series, The Chronicles of Narnia. Readily accessible to the average reader, Ward's book reads so much like a detective story that it's difficult to put down." --Armand M. Nicholi, Jr. M.D., Professor of Psychiatry, Harvard Medical School and author of The Question of God: C.S. Lewis and Sigmund Freud

"All who have enjoyed the The Chronicles of Narnia and indeed are interested in any aspect of Lewis's imaginative work should read Michael Ward's book. He argues convincingly for a hitherto unrecognized inner structure of the Chronicles, and gives excellent reasons for understanding why Lewis should have worked in such a mysterious way, his wonders to perform. Ward has an encyclopedic knowledge of Lewis's writings and uses it to support his theory that each of the seven volumes of the The Chronicles of Narnia is based on the classical, medieval and renaissance mythography of one of the then seven planets. Even those critics who dislike the Narnia books in principle because of their implicit Christianity must consider their planetary structure and its significance. Michael Ward has made an outstanding contribution to Lewis studies." --Derek Brewer, Emeritus Professor of English, University of Cambridge